2 x 160W 15A V-Lock Battery Kit with Charger Gen Energy is one of the only shock and short proof LI-ION C-Lock batteries on the market that can also power the Aperture 300D II for 1hr05m with just one fully charged battery. (2 SETS AVAILABLE)

$ 60.00 Quantity 1 2 Hire Period $60 / day $90 / weekend $180 / week

   

Godox VL300 w/ Reflector, 90cm Softobox, 2x Fresnel, and Barndoors The equivalent of the Apurture 300D II, the VL300 LED Video Light from Godox is a lightweight and compact LED monolite-style light source suitable for photo and video-based applications. The daylight-balanced COB LED features a CRI rating of 96 and TLCI rating of 95, producing highly accurate color renditions and rendering extremely realistic flesh tones. The VL300 light body is operated and powered from an external controller, keeping it compact and lightweight. It features a whisper-quiet fan and an integrated Bowens-style reflector mount, making it compatible with a wide array of light modifiers. The controller box contains dual V-mount battery plates, and an LCD display with intuitive controls and command dial for making adjustments to the light body locally. Setting can also be adjusted wirelessly using the included radio remote, or by using Bluetooth-enabled portable devices with the GodoxPhoto app, available as a free download for iOS and Android devices. Hire comes with bowens mount Reflector, 90cm Light Dome, 2x Fresnel, and Barn Doors.

$ 75.00 Quantity 1 Hire Period $75 / day $115 / weekend $200 / week

   

C-Stand 4.75-9.5 feet/1.4-2.9 meters adjustable height to meet your various demands

$ 20.00 Quantity 1 Hire Period $20/day

   

C-Stand with Gobo Arm 4.75-9.5 feet/1.4-2.9 meters adjustable height to meet your various demands. Comes with Gobo Boom Arm Extension.

$ 25.00 Quantity 1 2 3 Hire Period $25/day

   

Macbook Pro 13″ 2020 | 2Ghz | 4x Thunderbolt 3 | 16gb RAM | 512gb SSD The latest Macbook Pro is faster, lighter, thinner and more powerful than it's predecessors. The laptop includes a 512GB SSD, 16Gb RAM and Four Thunderbolt-3 ports. Ideal for on the go media management, processing, and live stream feeding.

$ 100.00 Quantity 1 Hire Period $100/day

   

Macbook Air 13″ 2021 | Apple M1 | 2 x Thunderbolt 3 | 8gb RAM | 256gb SSD The latest Macbook Air with Apple's M1 CPU with speeds up to 3.5× faster. GPU speeds up to 5× faster. The longest battery life ever in a MacBook Air. And a silent, fanless design. The laptop includes a 256GB SSD, 8Gb RAM and 2 Thunderbolt-3 ports. Ideal for on the go media management, processing, and live stream feeding.

$ 100.00 Quantity 1 Hire Period $100/day

   

Blackmagic Design UltraStudio Recorder 3G Stream your next shoot live via the internet. The Blackmagic Design UltraStudio Recorder 3G, the new capture solution featuring 3G-SDI and HDMI connections plus high-speed Thunderbolt 3 technology. It is extremely portable, a pocket-sized product powered by its Thunderbolt connections, so they can be operated from a computer’s battery or power source. Great for streaming and capture from any HDMI or SDI broadcast quality video source, UltraStudio Recorder includes 3G-SDI and HDMI in all formats up to 1080p60.

$ 20.00 Quantity 1 Hire Period $20/day

   

Miller DS20 2-Stage Alloy Tripod System Fluid Pan and Tilt head with 75mm ball levelling Above Ground Spreader Extra 5kg counterbalance for large and lens/battery DVCAM 2-Stage Alloy tripod w/toggle locks Sliding plate: 1/4" & 3/8" screws or 1/4" & pin

$ 100.00 Quantity 1 Hire Period $100/day

   

Miller 1580G Sprinter II 2-Stage w/ 100mm Claw Ball Level 2 The 1580G Sprinter II 2-stage, alloy, ground spreader tripod employs the patented Miller design that enables the leg stages to be adjusted independently via two leg locks conveniently located high above the ground thus eliminating the need for the operator to bend down. The Sprinter II dual action leg lock system is designed for operators who require speed and convenience of setup without compromise. By placing independent leg lock levers adjacent to each other, both the upper and lower stages they can be operated in unison or independently from one single upper leg location.

$ 100.00 Quantity 1 Hire Period $100/day

   

Manfrotto MVH 502AH Video Head The weight capacity is 15.4 lb and counterbalance supports 8.8 lb. The balance plate's 3.27" range allows you to correct for uneven payloads due to matte boxes or DSLR rig configurations.

$ 10.00 Quantity 1 Hire Period $10/day

   

Sony FX6 w/ Atomos Ninja V+ (4k RAW 25, 50, 100fps) The Sony FX6 is a full-frame digital cinema camera. Developed to offer versatile, cine-style imaging in a compact form. The FX6 captures up to 15+ stops of dynamic range and includes Sony’s S-Cinetone gamma for filmlike skin tones. In addition, up to 10-bit, 4:2:2 XAVC-I recording. The Sony FX6 is ideal for documentary, gimbal, and drone shoots. Comes with Atomos Ninja V+ which enables continuous ProRes Raw Recording up to 120fps.

$ 500.00 Quantity 0 Hire Period $500/day $750/weekend $1500/week

   

Sony FS700 w/ Atomos Shogun 7 (4k RAW 25, 50, 100fps | 2K 200fps) The Sony NEX-FS700 Super 35 Camcorder is a fully professional large-sensor video camera very similar to the Super 35 CMOS sensor as the FS100. When paired with the Atomos Shogun 7 this highly modular compact camera uses a native 4K resolution sensor capable of capturing ProRes RAW in 4k resolution at continious 25 or 50fps and 8 second burst mode at 100fps. When scaled down to 2K it can record up to 200fps continious. Included: - 4K Exmor Super 35 CMOS Image Sensor (11.6MP) - ISO 500 (0 dB) - ISO 16,000 (30 dB) - comes with 2 batteries, dc power, charger, and DC/ DTAP power options - Atomos Shogun 7 comes with DTAP power supply, batteries, and 12G SDI cable.

$ 150.00 Quantity 1 Hire Period $455/day $600/weekend $980/week

   

Panasonic GH5 w/ Small Rig Cage The Panasonic GH5 is a Micro Four Thirds digital camera that features internal 4:2:2 10-bit recording in 4k with no crop, 5-axis image stabilisation and 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps amongst a host of other high-end features. 1080 video at up to 180fps, enabling 7.5x slow-motion When hired with the Atomos Ninja V external recorder Apple ProRes 4K UHD 10-bit 4:2:2 up to 60fps is possible.

$ 150.00 Quantity 1 Hire Period $150/day $220/weekend $450/week

   

Atomos Shogun 7 The Atomos Shogun Inferno is a 7″, 1920 x 1200 recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files, as well as 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD recording capability.

$ 170.00 Quantity 1 Hire Period $170/ day $250/ weekend $460/ week

   

Atomos Ninja V+ 8k Pro Kit The Atomos Ninja V+ 8K HDMI/SDI Monitor & Recorder Pro Kit expands your on-camera monitoring and recording options all the way up to 8K30 and 4K120 ProRes raw. Designed to bridge the gap between mirrorless and cine-style cameras, this kit pairs the latest 5" Ninja V+ 8K HDMI recording monitor with an AtomX SDI module, a pre-activated H.265 codec, and a pre-activated SDI raw key. Designed to offer multiple recording options for both HDMI-output mirrorless cameras and SDI-output cine-style cameras, this bundle will keep pace with your choice of the latest cameras for each job you take on. Features: Atomos Ninja V+ 5" Recording Monitor AtomX SDI Module with 2 x 12G-SDI Ports Atomos Connect 4K HDMI to USB Converter Pre-Activated SDI Raw & H.265 Capability

$ 100.00 Quantity 1 Hire Period $100/day $175/ weekend $400/ week

   

Atomos Ninja V The Atomos Ninja V 5″ 4K60P HDR Monitor Recorder is a 5″ on-camera monitor/recorder. It records and plays back DCI 4K, UHD 4K, and HD video from HMDI input onto purpose-built mini-SSDs. In addition, the Ninja-V features a 10-bit screen with a brightness of 1000 cd/m². Consequently, the Ninja V is suitable for both exterior and interiors. The AtomHDR display technology allows for accurate monitoring of log gamma footage. In addition, this eliminates flat, washed-out looking images. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video gamut remaining unaltered.

$ 60.00 Quantity 1 Hire Period $60/day $90/ weekend $150/ weekend

   

Fotga DP500III CCUPS Uninterrupted V Mount Power Supply FOTGA DP500 Mark III V-Mount BP Battery Plate Sony-V-Lock Power Supply System features unlimited & uninterrupted power supply. It is suitable for almost all cameras,including DSLR camera,mirrorless camera,camcorder,etc Built-in waist belt buckle on the back enable you to hang the power supply system anywhere. High-power design coordinating with appropriate input makes it fit for almost all camera/video cameras on the market Unlimited & Uninterrupted Power Supply PMIC can manage different inputs intelligently and ensures no interrupt during swift input changes between AC power and V-mount battery power. Interface for camera/camcorder (8V-output) fits for all cameras/camcorders with 7V-9V voltage output. 14.8V output fits for all large-scale camcorders with 12V-16.8V wide voltage input. In addition,the power supply system can be adjusted to different angles up to 90 degrees, which is convenience for easy and quick disassembly. Digitized PMIC brings adequate output and input interfaces. 14.8V/5V/8V/12V and an extra USB 5V 2A outputs ensures power supply for almost all common devices on the market. Such as 14.8V-Output for large-scale camcorders; 5V-Output for split screen; 8V-Output for camera such as 5D2/5D3/7D; 12V-Output for monitor; USB socket can connect your apple products such as iPhone, iPad etc with USB cable to offer power.

$ 20.00 Quantity 1 Hire Period $20 / day $30 / weekend $60 / week

   

Sony 24-70mm f/2.8 GM Lens (E-mount) The Sony 24-70 f/2.8 GM Lens is a versatile wide-angle to short telephoto lens designed for E-mount cameras. With a constant f/2.8 aperture, the lens excels in low light situations and in situations favouring selective focus techniques, making the lens a standard for any camera kit. Sony 24-70mm f/2.8 GM Lens (E-mount) quantity

$ 80.00 Quantity 1 Hire Period $80day $130/weekend $240/week

   

Samyang 20mm Cine T1.9 (EF Mount) The Samyang 20mm T1.9 ED AS UMC is a wide angle manual focus cine lens for DSLR cameras with full frame sensor size. The flow of light is devised based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. The bright T1.9 aperture secures a fast shutter speed even under the restricted lighting conditions to offer best quality images. It will brighten up your everyday snapshots. Also it creates an outstanding out-of-focus look by highlighting the main object effectively. In between ultra-wide 16mm and wide-standard 24mm, 20mm lens is a perfect fit to explore wide angles not only for shooting indoor images such as concerts and interior photos but also street snaps. The 0.2m of minimum focusing adds versatility to the lens.

$ 35.00 Quantity 1 Hire Period $35/ day $45/ weekend $65/ week

   

Samyang 35mm Cine T1.5 (EF Mount) The Samyang 35mm T1.5 Cine Lens (for Canon EF) with geared, manual focus and aperture control rings, is optimised for cinematography. The aperture ring is de-clicked for smooth iris pulls, and depth of field markings provide an essential aid to focus pullers. Optically, this lens is identical to the Samyang 35mm f/1.4, which is known for its excellent sharpness, contrast and bokeh.

$ 35.00 Quantity 1 Hire Period $35/ day $45/ weekend $65/ week

   

Samyang 50mm Cine T1.5 (EF Mount) The Samyang 50mm T1.5 Cine Lens (for Canon EF) is a fast manual focus prime lens. It provides a maximum aperture of T1.5 for low light capture and shallow depth of field control. Optimised for cinematography the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

$ 35.00 Quantity 1 Hire Period $35/ day $45/ weekend $65/ week

   

LAOWA 100MM F/2.8 2:1 APO ULTRA-MACRO (EF Mount) Characterized by its close-focusing capabilities and apochromatic design, the LAOWA 100mm f2.8 21 APO Ultra-Macro Canon EF is a unique and versatile short-telephoto prime. Featuring a pair of low dispersion elements, colour fringing and chromatic aberrations have been virtually eliminated throughout the focusing range in order to achieve high clarity and colour accuracy. The lens's manual focus design also suits its macro capabilities, which permit working with subjects as close as 2:1 with a minimum focusing distance of 9.7" Additionally, a 9-blade diaphragm contributes to a pleasing bokeh quality.

$ 35.00 Quantity 1 Hire Period $35/ day $45/ weekend $65/ week

   

Panasonic Lumix 12-35mm f/2.8 Panasonic‘s Lumix 12-35mm f/2.8 lens for Micro 4/3 (MFT) is the first constant-aperture standard zoom for a mirror-less system camera. With an equivalent (in 35mm format) 24-70mm zoom range, this is a close match for a type of zoom lens that’s very popular with photographers using full-frame cameras–from a true wide-angle to a short telephoto focal length and a bright f/2.8 maximum aperture through the entire range. This lens features POWER O.I.S. image stabilisation, nearly silent operation when shooting video, and specially treated glass that dramatically reduces ghosting and flare (Nano Surface Coating), minimises chromatic aberration (Ultra Extra-Low Dispersion glass), and improves descriptive performance from corner to corner (Ultra High Refractive glass). A splash-proof and dust-proof design means you won’t need to handle this lens with kid gloves, or put your camera away when a drop of rain falls. This lightweight (10.8 oz) lens is also compact (2.9×2.7″) and has a sturdy build quality, with a durable metal mount. Panasonic's 12-35mm f/2.8 zoom lens is an ideal companion with the Lumix GH5 featuring both internal and len stabilizaiton, for extremely smooth handheld operation. It is also a great pairing for the Blackmagic 4k Pocket Camera, providing superb image quality, a practical wide through to short telephoto zoom range and a micro 4/3 lens mount for use without adapters.

$ 40.00 Quantity 1 Hire Period $40/day $60/weekend $95/week

   

Meike 25mm Cine T2.2 (MFT Mount) A bright MFT mount cine prime, the 25mm T2.2 Manual Focus Cinema Lens from Meike is a versatile lens suitable for high-resolution cine cameras. The T2.2 maximum aperture enables working in difficult lighting conditions and offers increased control over depth of field. In harsh lighting conditions, a multilayer coating is also used to reduce flare and ghosting for greater contrast and color accuracy. This manual focus lens permits working with subjects as close as 9.8" away, and a printed focusing scale aids with prefocusing techniques.

$ 35.00 Quantity 1 Hire Period $35/ day $45/ weekend $65/ week

   

Rokinon 85mm Cine T1.5 (MFT Mount) The Rokinon 85mm T1.5 Cine Lens (for Micro Four Thirds) is a fast manual focus prime lens optimised for cinema and video applications delivering a slightly telephoto angle-of-view (170mm full-frame equivelant) focal length for Micro Four Third Cameras.

$ 35.00 Quantity 1 Hire Period $35/ day $45/ weekend $65/ week

   

Tascam DR70d Capture up to four tracks of high-resolution audio from external sources and the onboard omnidirectional microphones, route audio to and from your camera, and conveniently monitor through headphones. With strap-friendly handles, a tripod mounting socket, and a camera-mount screw attachment, the DR-70D is compatible with a variety of setups and working styles. Versatile powering methods and remote-control options make the DR-70D ideal for location recording and extended video shoots. Its four balanced XLR-1/4" combo inputs handle mic- or line-level signals (even +4 dBu from high-end sound mixers) and can independently supply phantom power. A 3.5mm mic/line input with selectable plug-in power is provided for situations that require you to record a lavalier microphone or the output of a wireless receiver. Utilize settings such as stereo safety track recording, limiting, and low-cut filtering to achieve a clean, undistorted recording.

$ 40.00 Quantity 1 Hire Period $40/day $50/weekend $60/week

   

Sennheiser EW 112-p G3 The Sennheiser EW-112 P G3 Lapel Microphone Kit is the latest addition to Sennheiser’s evolution family of wireless microphones and is fully compatible with all previous series. This kit is designed for portable wireless operation, video and field recording applications. This system is camera-mountable, featuring a UHF diversity receiver, bodypack transmitter and also including a ME 2-II Lavalier clip-on microphone. (2 SETS AVAILABLE)

$ 50.00 Quantity 1 2 Hire Period $50/day $80/weekend $100/week

   

Rode NTG-1 w/ Dead Cat and Tritan Fethead The combination of the NTG1's 8.6" long body and supercardioid polar pattern yields focused front-facing directionality and enhanced attenuation of sound entering from the sides. Its low self-noise of 18 dBA and sensitive condenser element communicate detailed audio unburdened by the hiss that plagues many low-cost microphones. Plus, its balanced output allows longer cable runs than most camera-mount shotgun microphones. Thanks to its 3-pin XLR output and compliance with 24V or 48V phantom power, the NTG1 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras. The Supplied Tritan Fethead For Condenser Microphones supplies 18 dB Amplification without introducting gain nosie. Hire comes with Rode Rycote SM4-R Suspension Shock Mount.

$ 30.00 Quantity 1 Hire Period $30/day $45/ weekend $65/week

   

Telescopic Boom Pole w/ Internal XLR cable This pole features an internally coiled cable and XLR connection at the base of the pole. A total of 5-section telescoping boom pole can extend your microphone up to 3.3m inches and collapses to just .83m. The captive-collet coupling system lock each section in place for even further reliability.

$ 20.00 Quantity 1 Hire Period $20/day $25/ weekend $35/ week

   

Glide Gear TMP 500 Universal Video Camera Tripod Teleprompter 15mm Rails With the Glide Gear Universal Tripod-Mount Teleprompter you can easily say exactly what you mean while looking directly into the camera. Works with any size DSLR and most video cameras mounted on 15mm rails. Utilizing a reverse text/scripting teleprompter app on your tablet device, you control the scrolling speed and font size to make your speaker comfortable. Versatile powering methods and remote-control options make the DR-70D ideal for location recording and extended video shoots. Its four balanced XLR-1/4" combo inputs handle mic- or line-level signals (even +4 dBu from high-end sound mixers) and can independently supply phantom power. A 3.5mm mic/line input with selectable plug-in power is provided for situations that require you to record a lavalier microphone or the output of a wireless receiver. Utilize settings such as stereo safety track recording, limiting, and low-cut filtering to achieve a clean, undistorted recording. Comes With Apple 8th Gen 10.2" Ipad and Teleprompter Pro Software.

$ 40.00 Quantity 1 Hire Period $40/day $50/weekend $60/week