USC mUSiC RECITAL PROGRAMME APPLICATION WORKSHEET

RECITAL PROGRAMME APPLICATION WORKSHEET

Please submit electronically along with Recital Checklist Form. This must be submitted once you have successfully passes your hearing, at least two weeks before the scheduled date of your recital.
- All music majors are required to perform the recital(s) required for the completion of their degree program. No substitutions (forums/juries etc.) are acceptable for the fulfilment of this requirement.
- A Junior recital constitutes a minimum of 25 minutes of music and a Senior Recital consists of a minimum of 40 minutes of music as approved by the student’s performance studies instructor. Guidelines for studio/non-degree recitals should be approved by the student’s applied music / performance studies instructor.
- Every music major or minor planning to perform a degree recital is required to pass a recital hearing in which the student must be prepared to perform the complete recital programme. The student must complete and submit the hearing application form and successfully pass the hearing before being allowed to present the associated recital.
Program Information
Name of Recitalist (as will appear on program)*

First NameLast Name
Student Email*
example@stu.usc.edu.tt.
Junior RecitalSenior RecitalNon-degree Recital
SopranoAltoTenorBass
Type of Recital- Instrument (please list)
Degree you are seeking*
Performance Studies Instructors (PRINT)*

First NameLast Name
Performance Studies Instructor Email*
example@usc.edu.tt
Name of Accompanist (if applicable)

First NameLast Name
Accompanist Instrument
Welcome and Prayer by (Full time faculty or P.S. instructor): *

First NameLast Name
Proposed recital date and time: *
RECITAL Location (if online indicate Zoom): *

Programme Repertoire

Include the following information: Title of each piece, Title of larger work (if applicable), Composer’s name, Composer’s dates, and the duration (minutes and seconds) of each piece or song.
Examples:
1. Non piú andrai Wolfgang Amadeus Mozart

from The Marriage of Figaro (1756-1791)

Duration = 3:50

2. Empty Chairs at Empty Tables Claude-Michel Schönberg

from Les Miserables (b. 1944)

Duration = 2:45

3. Sonatine pour Trombone et Piano Jacques Castérède

Allegro vivo (b. 1926)

Andante sostenuto

Allegro

Duration = 13:30
Program Repertoire in order of performance (as shown in the examples above. Please calculate total duration of music at the end):*
Instrumentalists and Singers

List the names and instruments or voice types of other instrumentalists and singers who will be performing in your recital.
Type a question
Translations

Please ensure that each song is in the same order in both boxes.
Example:

Gretchen am Spinnrade Gretchen at the spinning -wheel

Meine Ruh’ ist hin, My peace is gone

Mein Herz ist schwer, My heart is heavy;

Ich finde sie nimmer I shall never

Und nimmermehr. Ever find peace again.

Wo ich ihn nicht hab’ When he’s not with me,

Ist mir das Grab, Life’s like the grave;

Die ganze Welt The whole world
Title and Text for each foreign language song:
Please note that this should be applied for each song performed. Put English translation of title in brackets.
English Translation (Title and Text) for each foreign language song:
Please note that this should be applied for each song performed.
Programme Notes
Please type programme notes here: *
1-2 paragraphs for each song performed. Type in Word and then paste into text box.

References
All sources must be properly cited using bibliography standards.

Please see examples below for using Chicago Style for Students and Researchers, 7th edition.

Citation for a Book:

Turabian, Kate L., A Manual for Writers of Research Papers, Theses, and Dissertations:

Chicago Style for Students and Researchers, 7th edition. Revised by Wayne C. Booth,

Gregory G. Colomb, Joseph M. Williams, and the University of Chicago Press Editorial

Staff. Chicago: University of Chicago Press, 2007.

Citation for an Article from a Journal:

McLaurin, Donald. “Karel Husa’s Contribution to the Wind Band,” CBDNA Journal 4

(Summer 1987): 28-29.

Citation for a Dissertation:

Nix, Jamie. “Steven Bryant’s Ecstatic Waters for Wind Ensemble and Electronics:

Compositional and Performance Perspectives for Conductors.” DMA diss., University of

Miami, 2010.

Citation for a Dissertation accessed Online:

Holliday, Guy M. “Steven Bryant’s Concerto for Wind Ensemble: Musical analysis and

considerations for conductors.” DMA diss., Claremont Graduate University, 2013. In

ProQuest Dissertations and Theses,

http://search.proquest.com.libproxy.calbaptist.

edu/pqdtft/docview/1352757564/142E9B06E003197BEC6/1?accountid=9830

(accessed January 11, 2014).

Citation for a Website:

Bryant, Steven. “Symphonic Works.” Steven Bryant, http://www.stevenbryant.com/

symphonic.php (accessed January 11, 2014).
Programme Note References: *
Type programme notes references into text box.
VOTE OF THANKS 1-2 paragraphs expressing appreciation if desired (Not Mandatory):

FOR OFFICIAL USE ONLY

Recital Application Approval
Performance Studies Instructor (PRINT NAME)

First NameLast Name
Date

MonthDayYear
Date
Signature
Music Office Admin Assistant (PRINT NAME )

First NameLast Name
Music Office Email
example@usc.edu.tt
Date

MonthDayYear
Date
Signature
Programme Coordinator (PRINT NAME)

First NameLast Name
Coordinator's Email
example@usc.edu.tt
Date

MonthDayYear
Date
Signature
Should be Empty:

RECITAL PROGRAMME APPLICATION WORKSHEET

Program Information

Programme Repertoire

Examples:

Instrumentalists and Singers

Translations

Programme Notes

References

FOR OFFICIAL USE ONLY