In 1923, when Edna Woolman-Chase – Condé Nast’s director of the American, British, German, and French editions of Vogue – appointed Dorothy Todd to the position of Vogue editor in London. Hailing from Kensington, Todd, then 40, was openly gay and fully invested in women’s rights. As a figure in the Modernist movement, she was on a mission to transform Vogue from a fashion magazine into a journal of the avant-garde. “Vogue has no intention of confining its pages to hats and frocks,” surmised one 1925 issue.
Madge Garland, formerly McHarg, blossomed as an icon of style and beauty during her years at Vogue, where she first worked as a receptionnist, and was then promoted to fashion editor.
Their open relationship was well known, going so far as to inspire a parody of T.E. Brown’s poem The Garden, which began, “A Garland is a lovesome thing, Todd wot.” Their partnership also inspired The Tragedy of Fashion, a ballet produced in 1926 by their friend Freddie Ashton – a title entirely too prescient of their affair.
Unfortunately, the magazine began to lose money and Dorothy Todd was fired in 1926.
Madge Garland followed her, and went on with a great carreer. After working as a fashion editor for Vogue in Paris, she became the first Professor of Fashion Design at the Royal College of Art, a course she invented herself.