UN-MAKING

Overview

In Issue 01 of Fortunately, we delve into the concept of un-making by examining forms of creation, manufacturing, and production that can foster cooperation and solidarity.

As we experiment with new production models, we're reminded of the pressing need to reflect on societal transformation dynamics. Theories of social change have traditionally emphasized the “construction (making) of novel socioecological relations,” often neglecting the equally crucial processes of “deliberate deconstruction (unmaking)” of modern capitalist configurations (Feola et al., 2021). Engaging with abolitionist praxis, unmaking can both dismantle exploitative practices that function solely through the logic of capital, and replace them with reparative models that prioritize wellbeing, healing, and worker empowerment.

Key themes can range from DIY (Do-It-Yourself) not-for-profit initiatives and artist-led 'third places' to autonomous gardening, local (physical/digital) architectures, and art focused on labor/production collectivities. Production is not only about generating goods and services, but it's also central to critical thinking, dismantling unsustainable systems, and building local and democratic structures. What would production systems look and feel like if they were designed to serve the well-being of life rather than capital?

You can refer to our Are.na channel for reading material and additional context about the proposal.

Submissions Deadline	Accepted Contribution Fees
June 9, 2024	$300+

About Fortunately

Fortunately Magazine is a print and online publication that explores the intersections of art, culture, and economic democracy, published by the Boston Ujima Project. The Boston Ujima Project is a Black-led democratic organization building cooperative economic infrastructure in Boston with a mission to return wealth to working-class communities of color.

We're open to all critical and experimental writing, and our editorial team will collaborate with contributors to bring their ideas to reality. We look to publish a range of work, including critical perspectives related to cultural production and economic democracy (3,000 words +), interviews with artists, organizers, and cultural workers (1,200 - 2,400 words), and poetry. If you have any questions, feel free to reach out to comms@ujimaboston.com.