NEW WORKS SHOWCASE Auditions!

TINY MUSICAL & DON'T CRY FOR THEM AUDITION SIGN UP

Thank you for sharing your talents with us! Please take a moment to fill out this pre-audition form to help us better know your interests.
Auditioning at Stage Left:

• Auditions run from 12PM to 5PM Saturday and 12PM to 2:30PM Sunday February 8 & 9, and Callbacks will be promptly at 3pm on Sunday February 9 at Stage Left Theater, 108 W 3rd Ave. Please select a 15 minute time slot below and DO NOT ARRIVE MORE THAN 5 MINUTES EARLY to your audition to prevent crowding in our lobby.

• Please prepare 16 to 32 measures of a song of your choice. You will have time to consult with the Music Director before you sing.

• You may submit a video audition if you are unable to attend either days. Please use the section below to provide a link to your video. Your video should be no more than 3 minutes long.

• Call-backs will be held Sunday, February 9 at 3pm. Please wear clothing and footwear that allows you to move easily.

• All New Works actors are provided a gas/parking stipend of $50, paid on or before your Closing Performance and share equally in the Actors Appreciation Pool collected during the run of the show.

• If you have a headshot and/or resumé, please bring them with you, or attach below. These are not requirements to audition! If you do not have a headshot, we may request to take a photo of you after your audition. These will be used only for casting purposes and not shared anywhere else.

• Please fill out any known conflicts that you may have during the rehearsal and production dates at the bottom of this form. Be honest: Better to list conflicts than to surprise us later. Having conflicts does not preclude you from being cast UNLESS it's after the beginning of your show's tech week (DON'T CRY FOR THEM: APRIL 21 tech to closing on APRIL 27; TINY MUSICAL: APRIL 28 tech to closing on MAY 4).

• Remember, if we do not cast you, it doesn't mean that you didn't audition well, or that others were more talented than you. Many factors go into the casting process, and often excellent auditions do not lead to an offered role, while "less-than-stellar" audition do! There are often times when a show is cast and then changes are made after that casting due to conflicts, illnesses, etc., so maintaining a positive outlook during and after auditioning is crucial. More than anything, you are here to show us who you are. Be yourself. Be professional. HAVE FUN.
Full Name*

First NameLast Name
Email*
example@example.com
Phone Number*
Format: (000) 000-0000.
Tony (Antonia Fibonacci Allegria-Giardano) *** Age: Late 20s, young 30s *** Description: A BIPOC writer of musicals and subversive plays, determined to make a feminist revision of "Seven Wives and Seven Lovers." *** Singing: Yes. Participates in affirmations and leads creative direction of the play’s songs.Robbie *** Age: Late 20s, young 30s *** Description: Latinx/Hispanic stage manager, antagonistic yet supportive of Tony. *** Singing: No.Paul *** Age: 18 *** Description: A juvenile delinquent turned musical theater tenor, discovers his talent as he participates in the production. *** Singing: Yes. Performs several pieces, including parts of “Danny Boy” and songs from the play-within-a-play.Darlene *** Age: 18 *** Description: A diva and the female lead of the play. Ambitious and confident, she frequently clashes with Paul. *** Singing: Yes. Performs "The Milk Song," “Venus and Adonis,” and other romantic duets with Paul.Scott *** Age: 20s-30s *** Description: In love with Tony, auditioning for the play to get close to her. *** Not a seasoned theater performer. *** Singing: Yes. Includes comedic solo moments and contributions to group numbers.Bill *** Age: 50s or older *** Description: The theater manager, determined to save the playhouse. *** Singing: No.Marigold *** Age: 50s or older *** Description: Bill's twice-divorced wife and former showgirl. Provides comedic and inspirational support. *** Singing: No.Izzy *** Age: 13 *** Description: A community theater girl ambitious to perform in leading male roles. *** Singing: Yes. Sings in ensemble and solos like “This Is a Strange World.”Malcolm *** Age: 11-13 *** Description: A boy in the theater troupe who adds humor with his flouncing and antics. *** Singing: Yes. Participates in ensemble numbers.Brian *** Age: Any *** Description: A set painter and advocate of the arts. *** Singing: No.Matthew *** Age: Any *** Description: A reporter and musical theater critic. *** Singing: No.Claire *** Age: Teens-20s *** Description: A background dancer and swing. *** Singing: Yes. Ensemble parts.Good Day Spokane Worker *** Age: Any *** Description: A worker at the news show where the play is promoted. *** Singing: No.I will accept any role that is offered to me.I am not interested in auditioning for this show.
Walter *** Description: A man in his 60's-70's. Considers himself an "Average Joe". Loving father to Hannah.Hannah *** Description: A woman in her 20s-30s. Sweet and full of life. Walter's daughter.Leader K *** Description: A council leader. Confident and stoic. Can be played by actor of any age and gender identity.Leader P *** Description: A council leader. Professional but empathetic. Younger than Leader K. Can be played by actor of any gender identity.Science Officer J *** Description: A scientist with a philosophical side. Can be played by actor of any age and gender identity.Speaker R *** Description: An electrical engineer. Mid-to-late-20's. Quiet and nervous, but highly competent. Can be played by an actor of any gender identity.I am not interested in auditioning for this show.
Click on the date (Feb 8 or 9) and select the 15 minute time slot that best suits your schedule. Note that only 4 actors may audition in any 15 minute time slot. If you cannot select a time slot, it is because that time slot is already filled with 4 actors. *
I have worked with Stage Left TheaterI have been in plays and musicals beforeThis would be my first showIf not cast, I would like to help with another aspect of this production
I am comfortable portraying intimate activities on stage with other actorsI prefer a role that does not involve intimate touching or suggestive actionsI am comfortable with seedy dialog and cursingI am comfortable portraying varying gender expressions on stageI would prefer to portray my own gender on stage
TheySheHeOther (please let us know in person!)
Please list all known conflicts between December 1, 2024 through March 16, 2025. We will work around most conflicts, so please don't hesitate to be honest. Once rehearsals begin, new conflicts will be reviewed on a case-by-case basis. No conflicts are allowed after your show's tech week begins (DON'T CRY FOR THEM: APRIL 21 tech to closing on APRIL 27; TINY MUSICAL: APRIL 28 tech to closing on MAY 4).
HEADSHOT / RESUME UPLOAD (Not Required)

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If you are submitting a video audition, please upload it here OR use the following section to insert a link to your YouTube, Vimeo, or other online video.

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TINY MUSICAL & DON'T CRY FOR THEM AUDITION SIGN UP