Thank you for your interest! Please fill out the form to the best of your ability. You should be able to save and come back to your form at anytime. Don't forget to check out the second page for information about auditons and tips.

AGE REQUIREMENT

AACT Young Performers - 13-18

Minimum age: The actor must be the minimum age on or before the dates of auditions.

Maximum age: The actor can be the maximum age at auditions, and then have a birthday during the rehearsal process, and run of the show. For example, if they are 18 during auditions, and then turn 19 during the rehearsal process, that is acceptable. Once an actor has graduated from High School they are no longer eligible to participate in the Young Performers Programs, even if they are still 18.

*Special Note for the Young Performers Productions - Depending on the show that is being done, the minimum age requirement may change. Occasionally we have need of younger actors. 

List of Characters:

Peter Pan - charming, mischievous boy who never wants to grow up.

Wendy - innocence, imagination and desire for adventure but on the verge of growing up.

Mrs. Darling - lovely, cheerful and playful woman. Mother of Wendy.

Mr. Darling - stern, by the numbers and unimaginative man. Father of Wendy.

Tinkerbell - feisty loyal fairy but also has a smidge of jealousy issues

Tiger Lily - a flower in this interpretation, she is a loyal playful and fearless friend of Peter Pan.

Daisy and Orchid - Friends of Tiger Lily. They are from the same bouquet.

Hook - the antagonist, a pirate captain, has a bone to pick or rather Peter Pan to hook.

Smee - Captain Hook's number one and major supporter. 

Pirate - apart of the Jolly Roger crew, ready to do whatever the Captain asks of him.

Mermaids - friends of Peter Pan and tellers of story. Just like all mermaids, there is always a song in their heart.

Lost Children - a group of kids who live in Neverland, longing for a mother but enjoying the adventures with their leader Peter Pan.

Responsibilities and Obligations

Auditions, Call Backs, Rehearsals and Shows will be held at the
Jan Dempsey Art Center 222 E. Drake Ave. Auburn AL 36830

Auditions

December 8th and 9th from 4:30-6:30 - Open Auditions -Please sign up for one audition time 

December 11th - 4:30 - 6:30 - Callbacks are by invitation only

“Callbacks” is a theater term, meaning, we want to take a second look to determine who is best for each role. We DO NOT actually call you back, you will need to check the posted list to find out if and when you need to be there. Not everyone who is called back gets a role.

We will post the callback list December 10th at auburnact.org

Please check the list carefully to see if and when your actor is scheduled to be there. 

The cast list will be posted at the same place December 12th.

Rehearsal Dates

Rehearsals will be Monday, Wednesday 4:30 – 6:30, and Saturday 9:00-12:00

• Monday, December 15th -Full Cast Mandatory –READ THROUGH
  We will break for Winter Break
• Wednesday, January 7th - FIRST REHEARSAL
  You may not be needed at all rehearsals so please continue to check weekly emails to know whether you are called for the day or not.
• Saturday, January 10th - Mandatory Parent meeting from 11:15 –12:00
• January 19th, Martin Luther King Jr. Day - Rehearsals TBD 
• February 14 & 21st - Set Build Day – Rehearsal from 9:00-3:00
• February 23th – 25th- Tech Rehearsals 4:30-8:00 (You will need to send or bring a dinner)
• February 26th -Dress Rehearsal Performance with Special Guest. There will not be time for a dinner break, so please make sure your actors eat a heavy snack, or early dinner before they arrive. Call time will be announced at later date.
     

Performances

February 27th, 28th & March 2nd, 5th, 6th – 6:30 

February 28th & March 7th – 2:00p

We will have a special performance at the Boykin Center for the Boys and Girls Club March 16th at 4:30. More information on this will be announced at a later date.

Mandatory Rehearsals: We will start having mandatory full cast rehearsals every time starting on February 9th . This means there can be NO CONFLICTS after this point for any rehearsals or shows.

Other Obligations

• Each family is required to spend at least 3 hours per actor helping with the show. There are plenty of ways to help that can fit your schedule, those will be discussed at the mandatory parent meeting 
• Everyone is required to be help on Build Days, this year we will have two and it will be determined later who is needed when and where
• Everyone is required to help “strike the set” after the final show is over.
  Striking the set - refers to taking the set down, packing away props, cleaning up our area and getting it ready for our next show. Leaving no trace of Peter/Wendy is key.

Each actor gets one complimentary (free) ticket, you must pay for all other tickets.

Rehearsal Attendance Policy

• Theater is the ultimate team activity. It is so important that everyone is at their rehearsals. It is impossible to adequately rehearse a scene when some of the cast is missing.
• The actors might not be scheduled to be at every rehearsal for the entire time. 
  Your actor will need to be at all of their scheduled rehearsals, unless it is previously listed on their availability form.
• We LOVE to celebrate with actors their birthday if it happens to fall on a rehearsal date. A Birthday is NOT an excused absence. Please let us know so that we can have a mini party with them!
• Please make sure all scheduling conflicts are listed below. It MUST be filled out before you audition. If needed, you can add any additional conflicts before the Call Back Audition.
• We DO take the number of conflicts into account when casting a show.
• Saturday rehearsals are mandatory. For already scheduled school or family obligations, you may be excused from ONE Saturday rehearsal, but it must be listed on your conflict sheet. Any other circumstances need to be approved by the director.
• An absence is considered unexcused if the actor must miss rehearsal for any reason other than illness, family emergency or something that is NOT already listed on the conflict calendar.
• After 1 unexcused absence, your actor maybe dismissed from the show.
• You must contact the Stage Manager prior to rehearsal to be excused for illness or family emergency.

Please check all schedules, family obligations, dance, sports, school conflicts etc. when listing your conflicts. 

Now that we got the paperwork part out of the way, let's get on with the audition and what to expect.

For this audition, you will be asked to read a side (a side is a small part of the script) with a partner. Below you will find links to the google document. Look over all three, you might be asked to read for something that you aren't particularly auditioning for. The director uses these as tools to get a feel for what would be the best fit for you and to see your range.

We provide the sides early so it isn't so much of a cold read (cold read in theatre is when you don't know what you are about to read), so there is no worries about that.

If you would like to prepare a monologue (a dialogue of just one person) you are more than welcome to do so but it is not necessary. You can find monologue anywhere; google search teen monologue, recite a speech or a passage from your favorite book or poem, or a monologue from your favorite movie or play. Even though it isn't necessary, having a monologue prepared sometimes can show the director just what they need to cast you.

You will also be able to find these sides on the AACT website, AuburnACT.org (under the Peter/Wendy audition page)- for quicker find after hitting submit.

Peter and Wendy Side

Hook and Smee Side

Mr and Mrs Darling

During auditions we won't have sides for the characters of Tiger Lily, Daisy, Orchid, Tinkerbell, Lost Child or Pirate. Just pick any side. Just because you are reading for a certain part does not mean that we aren't considering all parts available.

 TIPS FOR AUDITIONING!!

• Be Yourself! You don’t have to be perfect—just be YOU! Directors want to see your personality, so let it shine.
• Practice, Practice, Practice The more you rehearse your song, monologue, or lines, the more confident you’ll feel. Practice in front of a mirror or with a friend!
• Know What You’re Auditioning For Take a little time to learn about the show and the characters. It helps you know the vibe of what you're doing.
• Warm Up Your Voice and Body Before your audition, do some gentle stretches and vocal warm-ups to get your body and voice ready to perform.
• Dress Comgortably. Some people like to dress the part and that is more than welcomed, but not necessary. Just be sure you are comfortable and able to move.
• Smile and Say Hello When you walk in, greet the audition team with a smile and confidence. A good attitude goes a long way!
• Make Bold Choices Even if you’re nervous, try something fun or different with your character. Big energy stands out!
• Keep Going if You Mess Up It’s okay to make a mistake! Don’t say “oops”—just keep going like it didn’t happen. That shows real professionalism.
• Be a Good Listener Pay attention to directions from the team and be respectful of others auditioning. Teamwork starts on day one!
• MOST IMPORTANTLY Have Fun! This is your time to shine and enjoy yourself. Theater is all about creativity, joy, and telling stories together!
   

 
Break a leg—you're going to rock that audition! 🌟