Halifax Repertory Theatre Audition Submission 1776
  • AEA and Non-Union Auditions for 1776

    Halifax Repertory Theatre celebrates diversity and inclusion across multiple dimensions. Seeking Non-Union actors. Equity guest artist contracts available. We commit to practicing diverse and inclusive casting and we encourage individuals of any race, ethnicity and national origins, ability, gender and gender identity, sexual orientation, class and religion to audition for our productions.
  • BREAKDOWN:

    Performance Venue: News-Journal Center
    221 N. Beach Street Daytona Beach
    NON-UNION and UNION

    Theatre Company: Halifax Repertory Theatre
    Director: Jack Cook
    Associate Director: Sandy Cook
    Musical Director: Bert Rodriguez
    Virtual Submission Deadline: May 7, 2026; 6 P.M.
    In-Person Audition Date:May 8, 2026; 5-9 P.M.
    Callback Date: May 9,2026 (Noon-Evening)
    Rehearsal Date(s): May 18-June 25, 2026
    Opening Date: June 26, 2026
    Closing Date: July 5, 2026
    Rate of Pay: Competitive Stipend
    Location: Daytona Beach, Florida

    DEADLINE: THURSDAY, MAY 7, 2026 6:00 P.M.

    DIGITAL AUDITION:
    SUBMIT: VIA FORM BELOW OR VIA EMAIL TO Halifaxreptheatre@gmail.com WITH SUBJECT LINE: "1776: Virtual Audition". INCLUDE HEADSHOT/RESUME AND DESIRED ROLE(S).

    SUBMIT MP4 VIDEO: VIA FORM BELOW OR VIA UNLISTED YOUTUBE LINK: PLEASE PREAPARE AT LEAST A 32 BAR CUT OF A TRADITIONAL MUSICAL THEATRE SONG IN THE STYLE OF THE SHOW AND A MONOLOGUE OR BRIEF CHARACTER SKETCH. PLEASE INCLUDE A FULL BODY SLATE WITH NAME, UNION AFFILIATION AND/OR REPRESENTATION, HEIGHT AND LOCATION.

    IN-PERSON AUDITION APPOINTMENT REQUEST:
    SUBMIT: VIA FORM BELOW OR VIA EMAIL TO Halifaxreptheatre@gmail.com WITH SUBJECT LINE: "1776: In-person Audition". INCLUDE HEADSHOT/RESUME AND DESIRED ROLE,UNION AFFILIATION AND/OR REPRESENTATION, AS WELL AS AN MP3 OR WAV BACKING TRACK FOR YOUR AUDITION CUT. CONFIRMED APPOINTMENTS WILL BE NOTIFIED BY EMAIL.**IN PERSON APPOINTMENTS ARE LIMITED AND FIRST-COME, ALL ACTORS STRONGLY ENCOURAGED TO SUBMIT DIGITALLY.

    PLEASE PREAPARE PREPARE A 32 BAR CUT OF A TRADITIONAL MUSICAL THEATRE SONG IN THE STYLE OF THE SHOW AND A MONOLOGUE OR BRIEF CHARACTER SKETCH. ACCOMPANIST WILL BE PROVIDED, IF USING A TRACK, EMAIL BACKING TRACK WITH APPOINTMENT REQUEST, A CAPELLA ALSO ACCEPTED, PIANO/KEYBOARD AVAILABLE.

  • CHARACTER BREAKDOWNS:

    *ALSO SEEKING ACTORS WHO CAN ADDITIONALLY PLAY MUSICAL INSTRUMENTS; FOR ANY ROLE. PLEASE INCLUDE ANY APPLICABLE REEL OR DEMO CLIP FOR CONSIDERATION.

    John Adams (Massachusetts)
    Male, 30s–50s | Vocal Range: Baritone (B2–F4)
    Passionate, high strung, excitable, driven leader of the independence movement.  Dutiful friend, compassionate husband.

    Abigail Adams
    Female, 30s–50s | Vocal Range: Mezzo-Soprano (G3–D5)
    John’s intelligent and grounded wife. Warm, witty, impowered, and emotionally strong. Requires a confident singer with depth and poise.

    Benjamin Franklin (Pennsylvania)
    Male, 60s–70s | Vocal Range: Baritone (B2–E4)
    Charming, humorous, and politically savvy. A calming presence with strong comedic timing.  Worldly and playful.

    Thomas Jefferson (Virginia)
    Male, 20s–40s | Vocal Range: Tenor (C3–G4)
    Reserved, thoughtful writer of the Declaration. Romantic and idealistic, but with a quiet strenght and reserve. Needs a strong singer with sincerity and sensitivity.

    Martha Jefferson
    Female, 20s–40s | Vocal Range: Soprano (B3–F5)
    Thomas’s lively and affectionate wife. Playful, elegant, and musically strong.

    John Dickinson (Pennsylvania)
    Male, 30s–50s | Vocal Range: Baritone (C3–F4)
    Articulate and persuasive opponent of independence. Polished, controlled, and authoritative.  Aggressive at times.

    Edward Rutledge (South Carolina)
    Male, 20s–40s | Vocal Range: Tenor (C3–A4)
    Young, charismatic Southern delegate. Charming but intense. Requires strong vocal power and dramatic presence.

    John Hancock (Massachusetts)
    Male, 40s–60s | Vocal Range: Chorus or Non-Singing/Speaking
    President of Congress. Commanding and authoritative.

    Samuel Adams (Massachusetts)
    Male, 30s–60s | Vocal Range: Chorus or Non-Singing/Speaking
    Quiet but firm supporter of independence.

    Richard Henry Lee (Virginia)
    Male, 30s–50s | Vocal Range: Tenor (C3–G4)
    Energetic and flamboyant. Strong comedic timing and musicality.  Charisma.

    Roger Sherman (Connecticut)
    Male, 40s–60s | Vocal Range: Baritone-Tenor (B2-F4)
    Practical and straightforward with a dry sense of humor.

    Robert Livingston (New York)
    Male, 30s–50s | Vocal Range: Baritone-Tenor (C3-G4)
    Reserved and cautious; represents political hesitation.

    Stephen Hopkins (Rhode Island)
    Male, 50s–70s | Vocal Range: Chorus or Non-Singing/Speaking
    Elderly delegate with a physical tremor. Wry and perceptive.

    Dr. Lyman Hall (Georgia)
    Male, 30s–60s | Vocal Range: Chorus or Non-Singing/Speaking
    Thoughtful and conflicted; ultimately guided by conscience.

    Joseph Hewes (North Carolina)
    Male, 20s–40s | Vocal Range: Tenor (C3–G4)
    Sensitive and conflicted; emotional core of several scenes.

    Caesar Rodney (Delaware)
    Male, 30s–60s | Vocal Range: Chorus or Non-Singing/Speaking
    Determined and heroic; pivotal moment in the final vote.

    George Read (Delaware)
    Male, 30s–60s | Vocal Range: Chorus or Non-Singing/Speaking
    Stubborn opponent of independence.

    Thomas McKean (Delaware)
    Male, 30s–50s | Vocal Range: Chorus or Non-Singing/Speaking *Scottish Accen
    Fiery and outspoken supporter of independence.

    Charles Thomson (Secretary)
    Male, 20s–50s | Vocal Range: Baritone (C3–E4)/Heavy Speaking Role
    Efficient and observant; keeps order in Congress.

    Courier
    Male, 17-25 | Vocal Range: Baritone (C3–E4)
    Delivers messages from Washington. Brief but important solo moments.

    ENSEMBLE (Delegates)
    Male, 20s–70s | Various Vocal Ranges
    Congressional delegates representing a wide range of personalities and viewpoints. Strong actors with good ensemble skills.

     

  • Storyline:

    Set in the sweltering summer of 1776, this Tony Award-winning musical brings to life the intense, passionate, and often humorous debates that led to the birth of the United States. Told through the eyes of the colorful characters who propelled the dream of a new nation into a reality. These are not the posh and polished partiots from your history book; they are the rum-drinking, name-calling, fly-swatting, cane-swinging patriots of legend

    As the Continental Congress struggles to break free from British rule, delegate John Adams of Massachusetts pushes relentlessly for independence—despite resistance from fellow delegates who fear the consequences of revolution, and even from supporters who beleive he is too obxoios to be the "face" of American Independence. Nonetheless, the birth of a new nation is his mission!

    Along the way, he recruits the help of early partiots including America's first celebrity, Benjamin Franklin, and the Virginian Lover himself, Thomas Jefferson. With the help of Franklin’s wit, Jefferson’s eloquence, and cheeky contributions from his crafty wife, Adams works to unite the colonies through any means possible.  

    Blending sharp dialogue, memorable music, and rich historical drama, 1776 captures the courage, compromise, and conviction required to forge a new nation. 

  • REHEARSAL AND PERFORMANCE INFORMATION  

    Rehearsal Dates: (HRT Studios, 615 S. Yonge St., Ormond Beach)

    Rehearsals begin May 18th: weekday evenings 6:00-9:00pm and some Saturdays, TBD, tentatively 10am-1pm and 2pm-5pm.  A detailed schedule will be provided at the Callbacks. 

    Tech Week (News-Journal Center, 221 N. Beach Street Daytona Beach):

    Mon. June 22nd 5:30 pm–10:00 pm 

    Tues. June 23rd 5:30 pm-10:00 pm 

    Wed. June 24th 5:30 pm-10:00 pm

    Thurs. June 25th 5:30 pm-10:00 pm

    Performance Schedule: (News-Journal Center, 221 N. Beach Street, Daytona Beach)

    Fri. June 26th Show 7:00 pm

    Sat. June 27th Show 7:00 pm

    Sun. June 28th Show 2:00 pm

    Fri. July 3rd Show 7:00 pm

    Sat. July 4th Show 2:00 pm

    Sun. July 5th Show 2:00 pm

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    • Interested in HRT's other performance opportunities?  
    • HRT has many upcoming performance opportunities. If you are interested in being considered for the rest of our 2026 season, please note below your availability for the remainder of the year. Upcoming projects include other main stage musicals, venue entertainment and cabarets, as well as ample Holiday performance opportunities. 

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