Five musicians explore a performance framework that oscillates between structuring and restructuring genre expectations of classical and jazz music, crossing over or blurring its spectrum in-between sonic textures and sound. Over the course of an hour, the ensemble operates in units that commences in coherence–traversing eventually to errant forms.
The vacillation takes form through rehearsed, recognizable music, to complete improvisation, challenging the musicians to treat their instruments not just as tools for melody, but as physical objects of sound; and the audience to listen intently and have an embodied experience of space created. Intentionally “errant”, and “unintentionally” coherent.