Bay Area Ensemble Theater Consortium General Auditions, 2016

Bay Area Ensemble Theater Consortium General Auditions

This is a thorough form. As ensemble companies, we place a high value on getting to know potential collaborators. We appreciate the time you take to fill this out.
Please come to the audition prepared to move and dressed accordingly (no jeans or restrictive pants, no skirts). Also, please prepare ONE MINUTE of whatever you want to present. A monologue is fine, but we encourage you to think outside the audition box; dance, movement, song, magic trick, puppetry... it's all fair game. But keep it to a minute! You will be kindly cut off if you run over.
Full Name

First NameLast Name
Which session of the Consortium auditions is your FIRST CHOICE to participate in?
Which session of the Consortium auditions is your SECOND CHOICE to participate in?
E-mail
Phone Number

Area CodePhone Number
Address

Street Address

Street Address Line 2

CityState / Province

Postal / Zip CodeCountry
Please upload a headshot or some other photo of you that is an accurate likeness.

Upload a File

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Please upload a resume that reflects your relevant experience in theater, dance, performance, music, or anything else you believe is relevant.

Upload a File

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How did you hear about this audition?
Do you feel comfortable singing?
If yes, what is your voice part, if known?
What types of movement and/or dance have you trained in?
Do you play any instruments?
If yes, please specify:
Do you have any union affiliations (AEA, SAG, AFTRA, etc.)?
Please list any special skills here that might not be visible in your audition:
Please indicate what types of projects/processes are of interest to you:

Other
How do you self-define as an artist? (Select all that apply)

Other
Please describe your general schedule, and/or times of the week or year that you are not available.
Are you interested in an internship position as a way of getting to know one of the companies?
What does working in an ensemble mean to you?
What are you passionate about? (This is intentionally vague)
What is your current greatest artistic challenge?
Is there a particular company that you are particularly interested in working with? Why?
How do you see heritage-based performance forms (i.e. Chinese Opera, Throat Singing, Klezmer etc.) within the contemporary American theatre landscape?
Anything you want to tell us, ask us etc...
Should be Empty: