• ONLINE AUDITION - THE GOLDEN SMILE

    Deadline: Sunday July 24, 12PM MDT
  • Thank you for your interest in THE GOLDEN SMILE. 

    To complete this audition you will need to submit:

    • your personal information
    • your headshot
    • resume
    • selection of roles you'd be able to play (select several)
    • upload video of your reading selected sides
    • upload a video of you singing "Tom's Diner," by Suzanne Vega (similar to the music in our show. Our music is quiet basic, please submit even if you are not vocally trained).

    Deadline has been extended to: Saturday July 24, 12PM MDT

  • PRODUCTION DESCRIPTION

    Synopsis

    There's violence on the ward, and MESSENGER (the caretaker) wants everyone to refrain from using it  – or else they'll lose rec room permission. Caught fighting, our cast of characters – WRITER, DIRECTOR, and three ACTORS – face removal from their beloved rec room, but WRITER is determined to cover it all up as a play. DIRECTOR thinks that's a bad idea, but also wants to be in charge. The actors, SARCASTIC, ANGRY, and LOATHING, have deeply-ingrained characteristics that make it difficult for them to execute their roles. The two CRITICS are non-participatory observers who offer little help. Will these characters manage to create a play (ironically entitled The Golden Smile) in order to save themselves?

     

    Production Notes

    THE GOLDEN SMILE is an absurdist play (in the musical sub-genre) inspired by the writing of Samuel Beckett, Chuck Palahniuk, and Monica Drake, as well as the novel and film One Flew Over the Cuckoo’s Nest and A Midsummer Night’s Dream. The story is set on a psych ward, where an overworked caretaker provides sparse violent enforcement of ward safety to a group of creative mental patients. Characters in this story serve multilayered roles as both members of the psych ward and as team members of their own creative project. The show raises pointed questions concerning the nature of mental illness and its treatment. The script contains some French, some German, some gibberish, a lot of cursing, and even more puns. This is an actor-heavy project for which versatility and authenticity are keys to successful execution.  

     

    ROLES

    5 leads, 2 supporting

    DIRECTOR (Character) (Lead): No sex specified, 18-65

    Tactful character who enjoys pushing people’s buttons. Doesn’t really care for the games of the other characters but enjoys bossing them around. Importantly, this character knows everyone’s diagnosis and how to care for them when they’re down.

    Ethnicity: All Ethnicities

    WRITER (Character) (Lead): No sex specified, 18-65

    Autistic clever character who isn’t in touch with his/her emotions. Knows how to express emotions but doesn’t feel them.

    Ethnicity: All Ethnicities

    ANGRY ACTOR (Lead): No sex specified, 18-55

    Has a history of PTSD from fighting in WWI, is physically and verbally aggressive, perhaps unintentionally.

    Ethnicity: All Ethnicities

     

    SARCASTIC ACTOR (Lead): Female, 16-32

    A bitter and sarcastic girl with a history of abuse. Character has minimal education and is bitter about it; wants to be center of attention, is overly mean when sad.

    Ethnicity: All Ethnicities

    MESSENGER (Lead): Male, 22-60

    An overworked forceful caretaker who does his best to care for the patients but sometimes uses violence to enforce ward rules.

    Ethnicity: All Ethnicities

    CRITIC/seated (Supporting): No sex specified, 16-60

    A straight-jacketed patient who has no interest in being present in the rec room and voices his/her sentiment of that often.

    Ethnicity: All Ethnicities

    CRITIC/wandering (Supporting): No sex specified, 16-60

    An incoherent mental patient who has little awareness for the play being construed.

    Ethnicity: All Ethnicities

    Rehearsal and Production Dates & Locations

    Production of 6 performances will take place at the Edmonton International Fringe Festival, August 11-21. Approximately 8 rehearsals are planned: 4 will take place via video chat (between July 28 and August 7, with exact dates TBD); and 4 will take place in person in Edmonton (on August 8, 9, 10, and 11).

    Travel and Accommodations

    Actors will be provided public transportation passes in Edmonton, are responsible for getting to Edmonton, are responsible for finding their own accommodations.

    Compensation

    All roles are paid. The amount will be based on a profit share and will depend on ticket sales.

  • Upload a File
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  • Below are a selection of files with sides available. Choose one that meets your fancy and upload you reading it, have a friend reading the other lines. Feel free to have the video shot from afar so you can move around, this is for theater not film. Don't worry about interperting the lines as per the writing or the show, it's our job to pick out talent which makes it easier for you because if you're good, we'll know no matter what.

    Also, don't worry about choosing the sides for the role you have your eyes on. We'll be choosing whoever for whichever, regardless of sides chosen.

    WRITER SIDES:LINK

    DIRECTOR SIDES:LINK

    ANGRY SIDES:LINK

    SARACASTIC SIDES: LINK

    MESSENGER/CRITICS: Use sides from other (above)

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